Gorgeous George

George Clooney has come a long way from playing ‘Lip Syncing Transvestite’ in 1992’s The Harvest. From the twinkly-eyed Doc Ross on ER to conflicted dad Matt King in this week’s Film Club pick The Descendants, he’s been in a lot of good movies.

Here are our faves…

FROM DUSK TIL DAWN George’s first big movie, shot in 1996 before he was quite such a silver fox. He plays lowlife scumbucket Seth Gecko, who happens upon a strip club full of vampires while running from a bank robbery. Don’t you just hate it when that happens?

Of course, this being a horror flick written by Quentin Tarantino, the gorefest isn’t long in coming. The vampires (including a VERY scantily clad Salma Hayek) bite the dust in graphic fashion and George rides off into the sunrise with a pretty girl and an A-list movie career. Not bad for a night’s work!

GOOD NIGHT AND GOOD LUCK Clooney got all serious on us in this 2005 thriller, which he also directed and co-wrote. The story of newsman Ed Murrow and his attempt to bring down Communist-baiter Joe McCarthy, it’s a flick that doesn’t feature too much George but is worth including for no other reason than his character being named Fred Friendly.

Also starring Robert Downey Jr and an excellent selection of retro glasses, Good Night is good. Really, really good.

UP IN THE AIR Travelling up and down the country firing people probably sounds more fun than it actually is. That’s certainly the case for Clooney-character Ryan Bingham in this flick, anywhos.

If you’ve ever doubted Clooney’s acting chops, this is the movie to convert you. He. Is. Amazing. Funny, sweet, mean, desperately sad…his performance really does have something for everyone. And there’s one moment in particular, near the end, which will just snap your cold, dead heart right in two.

O BROTHER WHERE ART THOU? This Coen Brothers adap of Homer’s Odyssey is probably the lulziest Clooney flick out there (second Coen collaboration Burn After Reading doesn’t count, on account of it not being funny). Set in the Deep South, it sees our hero embarking on a series of utterly mental adventures, with side-splitting consequences. And that famous soundtrack? It’s, like, totes amaze.

Some things to note – considering Clooney is actually from Kentucky, his Southern accent is pretty poor. And that big singing scene? Dubbed. Never mind eh, GC?

And finally…

OUT OF SIGHT Not actually a good film but a hell of a lot of fun. And we bet Georgie-boy didn’t mind getting locked in a car boot with J-Lo, either.

The Descendants is in cinemas now. Here’s the trailer:

But just what is this Film Club malarkey all about? It’s simples, really. Each week we send a pair of cinema tix (ODEON or Cineworld, whichever is best) to 10 of our most active Facebook/Twitter followers. We put the film we’re going to see to the vote, and the winning film is the one we all go to see. Then we all sit around on Facebook on the Sunday night (6.30) and chat about it. Magic. Sound like something you want to get involved with? Drop us a line at twitter.com/f_t_r_c or on Facebook at on.fb.me/d4dMv8

The Bridesmaids cast to present at the Oscars

This tidbit of news makes us very, very happy.

Academy Awards producers Brian Grazer and Don Mischer yesterday announced that the cast of Bridesmaids – Rose Byrne, Ellie Kemper, Melissa McCarthy, Wendi McLendon-Covey, Maya Rudolph and Kristen Wiig – will be presenters at the upcoming awards ceremony.

McCarthy received an Oscar nom for her role in the film, while Wiig’s in the running for the Best Screenplay statuette.

The 84th Academy Awards will be held February 26 at the Kodak Theatre, Hollywood. It will be televised live in more than 225 countries.

New Man On A Ledge trailer brings the LOLZ

Something a bit different from movie land. Summit has released a new Man On A Ledge trailer featuring the delightful Elizabeth Banks narrating over the top.

In it Banks bigs up fit Sam Worthington and admits she’d like to ‘tap’ Ed Harris.

The actress also mocks her own acting, which makes us heart her even more.

Here’s the synopsis:

In the heart-pounding thriller “Man on a Ledge,” Nick Cassidy (Sam Worthington) makes a desperate and life-threatening move to prove his innocence after he is framed for the theft of a rare, prized diamond. Recently escaped from prison and with nowhere else to go, Nick climbs onto the ledge of a towering skyscraper, inviting the eyes of New York City to anxiously watch as one wrong step could mean plunging to his death. But as one police negotiator soon learns, Nick’s daredevil stunt, captivating the eyes of the public and media, masks a dangerous ploy to reveal the truth about his tarnished name.With the help of his brother and with time running out, Nick’s intricate plan must work perfectly, but when you’re on the 25th floor ledge of a building, going down takes on an entirely more hair-raising meaning. With unpredictable twists and electrifying turns, “Man on a Ledge” features an amazing ensemble cast including Elizabeth Banks, Jamie Bell, Anthony Mackie, Edward Burns, Genesis Rodriguez, Kyra Sedgwick, and Ed Harris.

And here’s the new trailer:

New Mirror Mirror featurette starring Julia Roberts and Lily Collins

Mirror Mirror, one of the squillion Snow White re-imaginings, has a pretty new featurette.

Starring Julia Roberts, Lily Collins (and her fabulous eyebrows), Armie Hammer, Nathan Lane, Martin Klebba, and Sean Bean, the film has a very different feel to Kristen Stewart’s Snow White and the Huntsman.

Here’s the official synopsis:

In Relativity’s Mirror Mirror starring Oscar®-winner Julia Roberts and breakout star Lily Collins (The Blind Side), an evil Queen (Roberts) steals control of a kingdom, and an exiled princess (Collins) enlists the help of seven resourceful rebels to win back her birthright in a spirited adventure comedy filled with jealousy, romance, and betrayal that will capture the imagination of audiences the world over. The film also stars Armie Hammer (The Social Network) as the object of their affection, Prince Andrew Alcott, and Nathan Lane (The Birdcage) as the hapless and bungling servant to the Queen.

And here’s the featurette via Coming Soon.

Mirror Mirror, directed by Tarsem Singh, hits the UK March 18.

Star Wars: The Fan Cut

This. Is. AMAZING.

The creativity of folks on the Internet never ceases to amaze us and today is no exception, as an entirely fan-made version of Star Wars: A New Hope has hit YouTube.

Started by Casey Pugh, the project asked contributors to reimagine 15 seconds of the plot – the results were then edited together into 2 hours of mental, hilarious footage that you can see below. Find out more at.

Behind the scenes at the War Horse premiere!

Another exciting and eventful premiere: we hit the red carpet for the now Oscar nominated War Horse.

It being a Brit-heavy ensemble cast, with the promise of Spielberg and Kate and Will meant the crowds were out in force – as was the security.

You can check out what the FTRC film clubbers had to say about War Horse here.

For plenty of up close and personal pics of the cast and fans check out our Facebook.

And a special hello goes to Kelvin who – to our huge surprise – had printed out a pic of us snapped at Tintin, which he then asked us to sign. Totally surreal!

But now – given that Spielberg’s quotes took up the entire FTRC show – check out who else we interviewed from War Horse.

Only (deep breath) Tom Hiddleston, Jeremy Irvine, Benedict Cumberbatch, Emily Watson, Celine Buckens, David Thewlis, Richard Curtis and author Michael Morpurgo. (Additionally we spoke with Peter Mullan and David Kross but it seems the footage for those interviews has disappeared.)

Here’s what everyone had to say about the mighty War Horse. First up it’s author Michael Morpurgo who accessorised with a colourful scarf which his wife knitted him!

How excited are you to be here at the premiere for a Steven Spielberg-directed adaptation of your book? “It’s difficult to describe it in words to be honest. I love what’s happening I also feel it’s a bit silly because this is a book which has been out there for forever and a day. I’m used to it. It’s my wife’s favourite book and she says it’s my best, and what’s really annoying is she’s been proved right yet again!”

“But I have to say, it’s a story, and when you write a story it’s for everyone – for the kids who read it, the parents and now for the people all over the world who are going to read it because of this movie. You have to give it away. I don’t mean that you do it charitably, I just mean that you share your stories with people.”

“This is a story about reconciliation. About living through war and surviving. It’s about the pity of war as well. It’s very serious and I want people to come out of it as I was when I was writing it: thoughtful. And quite troubled and that’s alright.”

What did you think when you heard Spielberg was interested? “I didn’t believe it because I think Dreamworks and all these companies take on quite a lot of projects and I thought they were just saying Spielberg is going to make it because they want to have an option on it. But when I met him and I realised how much commitment he had to the story the I knew it was going to be alright. He loves it. He was emotional about it.”

What can audience expect? “They can expect to be deeply, deeply involved in a story that won’t let them go, which will make many of them cry. But I think you’ll come out of it believing in courage and perseverance and I hope more thoughtful about the world we live in today. About why we go to war to quickly and unnecessarily. This particular war if you realise that 10 million men died, didn’t grow to be fathers, grandfathers, and you think of all the widows and the families, what you have is this enormous grief. Stories are there to make us think.”

Next up  Emily Watson who played Albert’s mum Rose Narracott.

What was it like when you got the call about working with Speilberg? “It’s a great day in any actor’s life when you get a call from your agent saying Steven Spielberg wants to make a movie and he wants to meet you – it was really, really thrilling. Just getting the job, I was walking on air. It was a great experience to be in an ensemble with greatly respected actors and a very British film with an iconic American director.

Why do you think this film resonates with people? “I think it’s an anti-war film for kids. He’s very unashamedly made a film about hope and redemption and this miracle horse and a survivor. That’s not really the story of the second World War. A lot of people and horses died. But through the eyes of that horse we see war and that’s the war we should never forget because it was one of the worst monstrosities man has ever inflicted on itself.”

A word on the horses: “They’re amazing. Not only can they hit marks and do what they’re told but they can emote. They seem to be able to respond when people are upset. It’s amazing.”

Then there was young but extremely poised Celine Buckens who played the feisty but sickly Emilie. She was looking rather lovely in an age-appropriate Victoria Beckham-designed dress (which Michelle Williams was also spotting wearing just a few weeks later.)

How did it feel to be working with Spielberg? ”It was surreal and an honour and I still can’t quite believe it happened! I feel really blessed. It’s such an opportunity.”

What can audiences expect? “To cry. Everyone will cry. It’s incredibly moving and it’s got something for everyone.”

You worked quite a bit with the horses. How was that? “Great! They’re really quite impressive animals. They’re so big but the things they manage to do – you’d never expect that from animals.”

Why does this story resonate? “It’s such a timeless story which we can all relate to. We’ve all learnt about it in our history lessons and it’s not just about war it’s about love, between an owner and his horse and that’s something which everyone can relate to too because love is a universal theme.”

And then… the dashing David Thewlis.

On Spielberg (yes it was a Spielberg gush-fest): “Imagine you were my age and you grew up watching Spielberg’s films, Jaws, ET and Close Encounters, they’re the background and wallpaper to your life, you don’t imagine that you’ll ever be part of them one day, so it was an honour.”

What resonates? “Well people really love horses don’t they?! And they love war! War horse – there you go, it’s a no brainer!

What can audiences expect? “It’s a Spielberg movie so there are some incredibly shot sequences. Spielberg knows what he’s doing. He knows how to tug on the heart strings and pull a good cast together. I don’t think people will be disappointed. It’s got Spielberg written all over it.”

It’s a great British cast… “Personally I worked mostly with Emily Watson and Peter Mullan and I’m not just saying this, they’re two of my favourite actors and two of my favourite people so that was just a pleasure for me.”

And you do gravitate towards playing the bad guy… “Yeah I always love playing the bad guy! Something deep in my psyche must be very bad.”

Well you seem very nice. “Oh it’s all for the camera!”

Hey it’s Benedict Cumberbatch! Women really go ga-ga for him.

“It was really inspiring and the man’s a legend who I’ve grown up watching. I wanted to be in Raiders of the Lost Ark, I wanted to be Harrison Ford riding those horses and there I am on my first day leading a charge of 120 horses across a 400 yard stretch of land in front of Steven Spielberg. It was a dream come true!

“I think it resonates because it’s a very beautiful, rich family saga during an era of very complex history told with the empathy of an animal, something that’s universal and we can all understand in that it’s mute. Language and culture aren’t barriers and you can very much judge the behaviour of humans and everyone else within the landscape of the film by how they treat the animals, and that’s what make it truly powerful and moving. What you see is how Germans, English and French and Belgian’s have soul and heart and feeling and they’re not goodies and baddies, their unified in the care of this very smart, noble creature.”

A final word: “It’s an amazing family film. It’s something that both grandchildren and grandparents can enjoy. It’s just a very beautifully reckoned story about a very moving period in our history. And it’s thrilling and funny and incredibly touching.”

 After the jump man of the moment Tom Hiddleston on needing a wee during Jurassic Park! Plus Richard Curtis, Jeremy Irvine and what we were wearing on the red carpet…

Read more…

Zeta-Jones signs on for Soderbergh’s Side Effects

Catherine Zeta-Jones just loves a bit of Steven Soderbergh.

The Welsh actress has signed on to star in pharmaceutical psycho-thriller Side Effects.

She teams up with Jude Law and Channing Tatum – who are also repeat Soderbergh collaborators. Meanwhile, Blake Lively will star in the film as a troubled, depressed young woman.

Side Effects was written by Scott Z Burns, who penned Contagion and Informant.

Zeta-Jones worked with Soderbergh on Traffic, while Law starred in Contagion and Tatum is currently rocking the big screen in Haywire.

 

The Oscar nominations are here!

The Oscar nominations are out! Just announced by Academy Prez Tom Sherak and the lovely Jennifer Lawrence, we have to say there were a couple of surprises in there – for us, at least.

Check them out for yourself – who will take home the gold on the big night?

BEST PICTURE
War Horse
The Artist
Moneyball
The Descendants
The Tree of Life
Midnight in Paris
The Help
Hugo
Extremely Loud and Incredibly Close

BEST DIRECTOR
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Martin Scorsese – Hugo
Woody Allen – Midnight in Paris
Terrence Malick – The Tree of Life

ACTOR IN A LEADING ROLE
Damian Bashir – A Better Life
George Clooney – The Descendants
Jean Dujardin – The Artist
Gary Oldman – Tinker Tailor Soldier Spy
Brad Pitt – Moneyball

ACTRESS IN A LEADING ROLE
Glenn Close – Albert Nobbs
Viola Davis – The Help
Rooney Mara – The Girl with the Dragon Tattoo
Meryl Streep – The Iron Lady
Michelle Williams – My Week with Marilyn

ACTOR IN A SUPPORTING ROLE
Kenneth Branagh – My Week with Marilyn
Nick Nolte – Warrior
Jonah Hill – Moneyball
Christopher Plummer – Beginners
Max von Sydow – Extremely Loud and Incredibly Close

ACTRESS IN A SUPPORTING ROLE
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Janet McTeer – Albert Nobbs
Octavia Spencer – The Help

BEST ANIMATED FILM
A Cat in Paris
Chico and Rita
Kung Fu Panda 2
Puss in Boots
Rango

BEST ORIGINAL SCREENPLAY
The Artist
Bridesmaids
Margin Call
Midnight in Paris
A Separation

BEST ADAPTED SCREENPLAY
The Descendants
Hugo
The Ides of March
Moneyball
Tinker Tailor Soldier Spy

BEST FOREIGN LANGUAGE FILM
Footnote
Bullhead
In Darkness
Monsieur Lezar
A Separation

Read more…

J. Edgar – Film Club passes judgement

So this week we all toddled off to see Clint Eastwood/Leonardo diCaprio collab J Edgar. With that kind of Hollywood pedigree we had to be on to a winner, right?

Read on to find out…but beware those pesky spoilers!

KURT ‘What a load of boring tosh.’

‘I don’t understand why the older Arnie Hammer couldn’t have been played by someone like Peter O’Toole, who actually looks like him. He looked like a wrinkly thumb.’

‘I thought Leo was very good, both as young and old Edgar. He got Edgar’s speech patterns down which was impressive. He’s also becoming a bit of a biopic regular after The Aviator…’

‘The thing I loved the most about this film was that Arnie Hammer’s idea of “old man acting” was just shaking. Judi Dench was very good, but then when is she ever bad?’

‘I’m sure one day someone will make a thrilling film about Hoover, but this just isn’t it. DiCaprio gave it his all, but this is more a soap opera than serious film. Eastwood really needs his next film to be a good one to convince people he’s not ready to be put out to pasture.’

JEFF ‘A huge disappointment.. Hoover has an interesting story, this just wasn’t how it should have been presented, in the slightest…the subject matter was totally mishandled. I really enjoyed the Lindbergh baby bit but once they cut away from it, it was back to Snoozeland.’

‘The make-up was a sheer disaster. Horrid end product and I have no idea how it was approved.’

‘I love DiCaprio, but this may be my least favourite film of his. It sounded too much like Leo putting on an accent and I just started to feel bad for him being constricted by that awful latex work.’

‘Armie worked fine as young Clyde, but sweet Jesus, how horrible was his whole old man routine? It was really descending into farcical territory.’

CELINE ‎’1 word: prosthetics!’

‘I didn’t like the present/past structure of the movie; the present definitely didn’t bring anything to it. They would have done better if they had focused more on young Hoover, I think.’

‘Leo was good, especially in his younger Hoover; I was too distracted by his double chin to really pay attention to his acting in the ‘older’ parts. At some points you could even see the shine of the glue down his neck!’

FIONA ‘This did not live up to its potential. So much history to draw from, yet the film glossed over or ignored key events. The script lacked gravitas and failed to have any tension or drama so the tone felt very one note.’

‘The overall result is a long, underwhelming movie with very dodgy make up for the aged characters. Leo looked bloated and puffy, and Armie looked beyond awful!’

‘The problem here is the script. No drama, no excitement and no tension, which really limits the enjoyment.’

‘I thought Leo was good but I was expecting so much more. I think the make up on older Leo totally ruined the performance though, he looked so bloated and puffy which was distracting.’

MARK ‘Historically it was a mess… it took a guy we all know to be pretty a horrid individual and sort of managed to break him down into a troubled American hero. But, taken as a film, it was so measured and confident that it just kind of won you over after a while.’

‘I was impressed by Leo in the way you can be impressed by someone you know is going to be a quality performer going in – it’s sort of like being impressed by white bread. I did like pretty much everyone around him, but he was kind of a known quantity.’

‘This felt like more of an ensemble to me, with Hammer and Watts and folks shinning more with him as the anchor.

‘A quality production about a deeply troubled man. It shouldn’t be taken as a history lesson, but I found enough to like it.’

IVAI ‘I didn’t really know much about J. Edgar Hoover going in, and the film was watchable but not exactly a thrilling or deeply engaging story.’

‘Brilliant performances from all involved. In all though, it was a tad boring.’

‘I agree that the makeup was a bit dodgy, they looked like the guys from Jackass!’

MIKE ‘It wasn’t as boring as some other biographical films I’ve seen, but it skipped over or missed out a lot of vital points in Hoover’s life. Eastwood was selective.’

What also troubled me was how much speculation was included: Edgar and Clyde’s relationship, his domineering mother, his cross dressing; all based on nothing but rumour, there’s no evidence to confirm any of it. Mixing that with the factual, historical content felt like a massive contradiction.’

‘Di Caprio gave a strong performance, even if the older version of him (and more so Armie Hammer) did look like beat up skinless sausages.’

‘Leo was the strongest aspect of it by far. I think Eastwood tried to take on a little more than he was capable of and approached it from all the wrong angles.’

BEN ‘I had high hopes for this, being a fan of Eastwood’s unfussy directing style, but I think the script was disappointing and there was only so much Clint could have done with it.’

‘All the scenes with the very old Tolson were awful; all I could think about was the horrible powdery make-up.’

‘DiCaprio was very good, particularly as a young Hoover, but it won’t win him an Oscar. Can’t fault the rest of the cast either, they all did OK.’

‘I didn’t hate it but I didn’t love it either. Eastwood and the cast did their best, but the film suffered due to the poor script. A wasted opportunity to tell a fascinating story.’

LOUISE ‘Overall I thought it dragged a little bit but I did like it, and thought Leo was amazing. The only reason I wanted to see the film was for Leo. He’s always so good in everything and it’s such a different role for him. I thought he was brilliant.’

‘I thought Armie was good but his old man prosthetics were soooo much worse than Leo’s. It was slightly off putting to start with! I did love him though.’

‘Bits of it were great, but overall it was too long and slow at times. I wouldn’t recommend it but it wasn’t a complete waste of my time.’

CHRIS I quite liked it, whilst it’s true that it could have covered a bit more history the stuff it did cover interested and educated me.’

‘I thought the makeup was good and Leo pulled off an outstanding, if not Oscar-worthy performance. Dench’s performance really stood out for me too, I wouldn’t want her to be my Mum!’

‘Overall I enjoyed the film. I learned things I didn’t know previously, Leo was good to watch as usual and I wasn’t bored watching. 3* for this film from me.’

KATIE ‘Not normally a film i would go see at the cinema but it was good, I found it interesting as I didn’t know much about J Edgar. It’s quite fascinating that he changed the FBI to what it is today.’

DAVE ‘I thought this film was awful to the point of annoyance.’

‘Armie Hammer was great until the point when he’s older, with a face like a testicle who is going to take you seriously? His make up felt like an afterthought.’

‘It should have just zoned in on a particular time in his life, I felt the editing going back and forth was so sloppy that it lost my interest. And I hated the reveal at the end.’

‘Eastwood is hit and miss, sometimes I love his work but sometimes not. This was definitely a stinker, but I think that was down to the script.

‘I really disliked J. Edgar. Eastwood will definitely make more good films, not all directors can have a perfect record and I do feel it was the script, make up and some bad acting that let the film down – not his direction.’

LYNN I was really looking forward to J Edgar but I was very badly disappointed in it all.’

‘I had no problems with the acting; Leo in particular was very good but the script at times was quite dull. I did feel a little bored on more than one occasion.’

‘The makeup techniques used were horrendous. I have no idea what the budget was for this film but surely they could have spared a little more than they obviously spent. I have seen kids Trick or Treating wearing better and more believable “old person” masks!’

‘This wasn’t the biopic I hoped for and feel that Eastwood has let down his stars as they did the best they could with what they were given.’

We’re just going to come right out and say it. We were disappointed. And pretty bored.

Don’t get us wrong, it’s superbly well-acted. DiCaprio is amaze in everything he does and this is no exception – his voice pattern is completely unrecognisable and there are a few points where he’s downright scary.

Also, kudos to him for getting his chops around some seriously cumbersome dialogue (and he spends most of the film talking). His supporting cast are brill too but it’s definitely The Leo Show. Even if we can’t see his lovely face behind all that dodgy latex.

It’s kind of a shame that the old-age makeup is quite so bad, seeing as how we spend half the movie listening to old-man J dictating his memoirs. There were several points where we just stared at Leo’s waxy plastic face instead of listening to what the hell he was on about. And don’t even get us started on poor Armie Hammer.

Where the film goes really wrong is in the script, which is light on…well, everything. Hoover ruled the FBI for 37 years, but only a few of them get mentioned. Yes, it’s a 2-hour movie. They’re never going to get everything in. But when one specific event gets an hour of screentime and other equally important ones get nada…you see what we mean.

Even the personal stuff is kind of vanilla, as writer Dustin Lance Black chooses to focus on how Hoover presented himself to his public rather than delving deeper into what really made him tick. Of course, most of the chatter about his private life is just rumour, and we get that that’s the point – maybe we’re not supposed to connect with Hoover – but it’s hard to feel anything for a character we never really get to know. Other than the fact he’s kind of an odd dude and he lives with his mum.

One more thing. Why is this movie so dark? Surely Eastwood’s budget could have stretched to a few extra spotlights!

But just what is this Film Club malarkey all about? It’s simples, really. Each week we send a pair of cinema tix (ODEON or Cineworld, whichever is best) to 10 of our most active Facebook/Twitter followers. We put the film we’re going to see to the vote, and the winning film is the one we all go to see. Then we all sit around on Facebook on the Sunday night (6.30) and chat about it. Magic. Sound like something you want to get involved with? Drop us a line at twitter.com/f_t_r_c or on Facebook at on.fb.me/d4dMv8

This week on Film Club – George Clooney bids for an Oscar

This week finally sees the release of George Clooney’s awards fave The Descendants, the tale of a man forced to reconnect with his daughters after his wife goes into a coma. Can he beat the return of Jedi-turned-badass Liam Neeson, taking on a pack of wolves in The Grey?

Or will Clive Owen’s monster horror Intruders sneak in under the radar and win the day? Over to you guys…

What will be this week's Film of the Week? Vote now!

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But just what is this Film Club malarkey all about? It’s simples, really. Each week we send a pair of cinema tix (ODEON or Cineworld, whichever is best) to 10 of our most active Facebook/Twitter followers. We put the film we’re going to see to the vote, and the winning film is the one we all go to see. Then we all sit around on Facebook on the Sunday night (6.30) and chat about it. Magic. Sound like something you want to get involved with? Drop us a line at twitter.com/f_t_r_c or on Facebook at on.fb.me/d4dMv8

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